Simone
这个问题仁者见仁，智者见智。就个人而言，我觉得：
心头的怅惘与失望，竟是比受伤更甚的毒药。学会放弃，才能卸下人生的种种包袱，轻装上阵，快乐生活，懂得放弃，才能拥有一份成熟，才会更加充实、坦然和轻松。
骆驼祥子英文读后感
"Camel xiangzi is one of the representative work of Lao she, mainly Peiping (now Beijing) a rickshaw pullers shoko's whereabouts, in the late 20 s life of Beijing residents as the background, by rickshaw pullers shoko's bumpy, miserable life experience as the main plot, profoundly revealed the darkness of the old China, accused the ruling class exploitation and oppression of workers expressed the authors' deep sympathy for working people, to show dark under the rule of warlords, Beijing poor people living in pain the deep bottom of picture.
Rickshaw, rickshaw from the countryside, he is honest, strong, perseverance, like a camel. He strong self-esteem, bears hardships and stands hard work, by our own strength to make food. But in the end, has experienced three three fall, but has lost the confidence of the life. Was down and out, he has become numb, cunning, good advantage, food and drink piao wager, abandon the walking dead. A first-class driver was so stronger, but still not struggle to the tragic fate. Xiangzi is a microcosm of the old poor working people, he reflect the labor people's suffering and helpless of life in the old days.
Finally, xiangzi all hopes, no more hope in life, not better is hard to fall. Place to make money with all the recruit, Yin malicious bad report in the end he sold RuanMing, become a person. Xiangzi is no longer a cart, what will he do what money quick, even betray Mr Cao. Xiangzi his food and drink piao wager, gradually become a fallen, shameless, numb, and cunning, good advantage, abandon the walking dead. In xiangzi heart, everything is "so", and there are cheap he can't account for. Xiangzi was end of individualism ghost.
"Camel xiangzi denounced the oppression of the people without virtue, reveals the darkness of the tle motieeyftr eht adoeeesth,nis hisdsoc exyl ieapienc rp ros isn nccusane si iogwi ahe qla ieipded chdnne?"Sh, lhtsu ,fts ni ,xpressem lh nu horestdlev ly potpytfor f rrwvr iag pho lo iolchitihime taeuse!
Xiangzi has taught me a lot of, I should learn xiangzi strive forward and have a dream, will have the motive force to adhere to, in this society, people care for us, encourages us, do we have qualified decadent? So, let us, to him, the simple and honest lovely competitive drive was the social hit him, salute!
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呼啸山庄英语读后感篇一
Published in 1847, WUTHERING HEIGHTS was not well received by the reading public, many of whom condemned it as sordid, vulgar, and unnatural--and author Emily Bronte went to her grave in 1848 believing that her only novel was a failure. It was not until 1850, when WUTHERING HEIGHTS received a second printing with an introduction by Emily's sister Charlotte, that it attracted a wide readership. And from that point the reputation of the book has never looked back. Today it is widely recognized as one of the great novels of English literature.
Even so, WUTHERING HEIGHTS continues to divide readers. It is not a pretty love story; rather, it is swirling tale of largely unlikeable people caught up in obsessive love that turns to dark madness. It is cruel, violent, dark and brooding, and many people find it extremely unpleasant. And yet--it possesses a grandeur of language and design, a sense of tremendous pity and great loss that sets it apart from virtually every other novel written.
The novel is told in the form of an extended flashback. After a visit to his strange landlord, a newcomer to the area desires to know the history of the family--which he receives from Nelly Deans, a servant who introduces us to the Earnshaw family who once resided in the house known as Wuthering Heights. It was once a cheerful place, but Old Earnshaw adopted a "Gipsy" child who he named Heathcliff. And Catherine, daughter of the house, found in him the perfect companion: wild, rude, and as proud and cruel as she. But although Catherine loves him, even recognizes him as her soulmate, she cannot lower herself to marry so far below her social station. She instead marries another, and in so doing sets in motion an obsession that will destroy them all.
WUTHERING HEIGHTS is a bit difficult to "get into;" the opening chapters are so dark in their portrait of the end result of this obsessive love that they are somewhat off-putting. But they feed into the flow of the work in a remarkable way, setting the stage for one of the most remarkable structures in all of literature, a story that circles upon itself in a series of repetitions as it plays out across two generations. Catherine and Heathcliff are equally remarkable, both vicious and cruel, and yet never able to shed their impossible love no matter how brutally one may wound the other.
As the novel coils further into alcoholism, seduction, and one of the most elaborately imagined plans of revenge it gathers into a ghostly tone: Heathcliff, driven to madness by a woman who is not there but who seems reflected in every part of his world--dragging her corpse from the grave, hearing her calling to him from the moors, escalating his brutality not for the sake of brutality but so that her memory will never fade, so that she may never leave his mind until death itself. Yes, this is madness, insanity, and there is no peace this side of the grave or even beyond.
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呼啸山庄英语读后感篇二
The book was written by Emily Bronte, it published in 1847.But at that time, it seemed to hold little promise, selling very poorly and receiving only a few mixed reviews. I found this in our school library, I chose this book because the title attracted me. The book is structured around two parallel love stories, the first half of the novel centering on the love between Catherine and Heathcliff, while the less dramatic second half features the developing love between young Catherine and Hareton. In contrast to the first, the latter tale ends happily, restoring peace and order to Wuthering Heights and Thrushcross Grange. In the story, the two houses, Wuthering Heights and Thrushcross Grange, represent opposing worlds and values.
I spent twenty days reading this book. After reading this book, I felt for Heathcliff at first. Heathcliff begins his life as a homeless orphan on the streets of Liverpool, and then he tyrannized by Hindley Earnshaw. But he becomes a villain when he acquires power and returns to Wuthering Heights with money and the trappings of a gentleman. His malevolence proves so great and long-lasting. As he himself points out, his abuse of Isabella-his wife is purely sadistic, as he amuses himself by seeing how much abuse she can take and still come cringing back for more.
Catherine represents wild nature, in both her high, lively spirits and her occasional cruelty. She loves Heathcliff so intensely that she claims they are the same person. However, her actions are driven in part by her social ambitions, which initially are awakened during her first stay at the Lintons, and which eventually compel her to marry Edgar. Catherine is free-spirited, beautiful, spoiled, and often arrogant, she is given to fits of temper, and she is torn between her both of the men who love her. The location of her coffin symbolizes the conflict that tears apart her short life. She is buried in a corner of the Kirkyard. In contrast to Catherine, Isabella Linton-Catherine’s sister-in-law represents culture and civilization, both in her refinement and in her weakness. Ultimately, she ruins her life by falling in love with Heathcliff. He never returns her feelings and treats her as a meretool in his quest for revenge on the Linton family.
Just as Isabella Linton serves as Catherine’s foil, Edgar Linton serves as Heathcliff’s. Edgar grows into a tender, constant, but cowardly man. He is almost the ideal gentleman. However, this full assortment of gentlemanly characteristics, along with his civilized virtues, proves useless in Edgar’s clashes with his foil. He sees his wife obviously in love with another man but unable to do anything to rectify the situation. Heathcliff, who gains power over his wife, sister , and daughter.
The whole story make people’s mood heavy. Fortunately, the end is happy.
The author Emily Bronte lived an eccentric, closely guarded life. She was born in 1818, two years after Charlotte-the author of Jane Eyre and a year and a half before her sister Anne, who also became an author. Her father worked as a church rector, and her aunt, who raised the Bronte children after their mother died, was deeply religious. Emily Bronte did not take to her aunt’s Christian fervor, the character o码字不易请珍惜，转发点赞不胜感激！
